LOVE NOTES

LOVE NOTES

Reflecting on the Vote at the Special Session
of the United Methodist General Conference
====================================

I took a walk with God last night
(because if you can, why not?)
and some ways down the road He

said “Hold up,” and stopped
at the front steps of a church
and said “I need to leave

a note, would you kindly reach
Me that box of stationery?”
And sure enough, there it was,

box of “36 Assorted Greetings,
with verses from the scripture”
and I passed it over, saying

“With Bible verses yet!” and
He murmured something sounding
like (shameless self promotion)

but murmured it so lowly I
wasn’t absolutely sure where
He’d put the hyphen. He took

a card and envelope, began to
write the note, and He knelt
low enough to let me read over

His shoulder. “Dear LGBTQI
Friends and Fam: I am so deeply
sorry that this happened. I am

so deeply sorry that you’ve
been unwelcomed. And I get it.
I really do, because the vote

was just as much about Me as
about you, all of us have been
advised of what our limits

ought to be, told who we are
and aren’t supposed to love.
But keep faith, I’m also out

here, right here with you. Be
strong. Stay loving. Steady on.”
When He put it in the envelope

and put it on the handle of
the door, I was able to see
the message on the cover:

Wish You Were Here.

And then He looked at me
and said “Perhaps We ought
to leave another?” And I

nodded, reached in the box
and picked one, put my name
below the greeting, and then

so did He, and this second
one He slid beneath the door
into the sanctuary entry:

Get Well Soon.

-Laura M Kaminski (Halima Ayuba), 03-March-2019

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16-January-2019: ‘Collateral Damage’ anthology from Glass Lyre Press

This week’s mail brought a contributor’s copy of Collateral Damage, a Pirene’s Fountain anthology from Glass Lyre Press. The contributors’ list here is outstanding, and I’m a little shy seeing my own name on the back of the book alongside the names of poets whose work I consider not just ground-breaking, but world-changing. This is a benefit anthology, and a powerfully good read, so do consider putting your hands on a copy if you are able to do so.

Stay blessed!
Laura (Halima)

Sharing the Journey, 13-November-2018

It’s been awhile, but I’m finally back here at the ark of identity to share a recent poem:

 

ASYLUM SEEKERS

I would tell you a story
about a brother and sister,
children of a poor man,
good man, wood-cutter
who went walking
through forest (and desert,
and mountains, and rivers)
without any breadcrumbs
to leave in a trail
behind them.

I would tell you a story
about a brother and sister
who walked through forest
toward a gingerbread
house, the walls and roof
constructed of sweet
spicy biscuits, icing
affixing tempting candy
ornaments along the eaves
and picket fence.

I would tell you a story
about a brother and sister
who walked and walked
and walked, trying to find
their way to a safe
place, whose hearts lifted
in hope when their
(mind’s) eye spied
the sweet house, when
they thought they could
finally stop fearing.

But you know the story
of Hansel and Gretel
already, and you know
what they found when
they reached it.

-Halima Ayuba (Laura M Kaminski), 08-November-2018…for our human kindred who have been walking across half a continent with hope that the people ahead will be kinder than the ones they’ve fled.

Sharing the Journey, 07-July-2018

Today I’ve returned to a poem from friend and colleague Saddiq Dzukogi, one that was published at Glass: A Journal of Poetry in May 2017: “What The Poem Said”

 
A Poem to the Poem
 

inspired by, and with lines from,
Saddiq Dzukogi’s “What The Poem Said”

 
when the poem shows up again
perhaps (by then) I’ll have the courage
to ask it a question

courage is the heart
perhaps (by then) I’ll have the heart
to ask it a question

fre courage is free will
perhaps (when the poem shows up again)
I’ll have the will to ask it a question

poem! my nemesis… poem!
my playmate… poem! my shadow dance
behind the curtain

poem! you said:
If I stay long enough on a spot,
my feet will become roots

poem, this morning
I stood beside a young magnolia tree
one that’s yet too young to blossom

one I planted some few years ago
from a slip of twig no larger
than my smallest finger

one that has grown
twice as tall as me
poem! dearest poem, pay attention

while I ask this: how may I too
become so patient? how may I make
time to take the time

to put down roots at least as deep
as I’ve grown tall? how may I
make time to take

the time to sip the cups
of last year’s wine, the winter
rains that came and have been

cellared in the darkness
waiting for someone to put down roots
deep enough to drink them?

poem! dearest poem, tell me:
how may I sit here in the evening
beneath this tree and listen

to the smallest of musicians,
the voices / the crickets make at night,
the poem, a prayer / same as a song?

–07-July-2018, Halima Ayuba (Laura M Kaminski)

 

lyrical alignment: Richard Rodriguez

Perfect! Thank you for this light today, José Angel Araguz!

The Friday Influence

This week’s lyrical alignment is drawn from an interview with writer Richard Rodriguez conducted by Hector A. Torres for the book Conversations with Contemporary Chicana and Chicano Writers (University of New Mexico Press).

louiskahnI came across the passage below from a journal entry during my third year doing the PhD. I remember being struck by Rodriguez’s apt and rich metaphor in response to being asked about style. Not only is the narrative he develops through anecdote compelling, but the way he pivots its meaning towards his own writing process at the end really hits home with me. It’s the kind of statement that acknowledges the form and method side of writing but also allows for the fluidity and surprise that lie at the heart of the best writing.

In setting the prose into verse, I settled on working with five words per line; while the poem ends unevenly outside this…

View original post 288 more words

Sharing the Journey, 05-July-2018

#BREATHE

for Romeo, grateful to be sharing the journey today
https://www.facebook.com/oriogun/posts/10155795450053719

A seed beneath the soil sleeps
The garden knows it’s there

A seed beneath the soil sleeps
The garden leaves it be

A seed beneath the soil sleeps
And the garden knows when the planet tilts
And the soil warms
And the rains come

The seed beneath the soil
Will awake
Unfold itself
Shed the husk
That it no longer needs

The seed that slept emerges
Into light
Takes its place
In life’s larger garden

That which was hidden
Emerges into light

That which was hidden
Continues growing
Prepares itself
To blossom

And the garden exhales
Inhales again
Amin

Sharing the Journey, 02-July-2018

One of the joys of the journey has been collaborative writing…duet poems. Today I have been re-reading and thinking about a poem written about two years ago with my friend Blessing Ojo, and thought I’d share it here.

DAYS LIKE THIS

My eyes witnessed death’s coronation,
the marching of his battalions
a thunderclap that startles peaceful
minds, makes them spread their wings
and take to the sky in panic.

And I rashly took the snapshot of peace
running off. I posted it, that photo.
But the reactions to it! I could never
have imagined there were so many
on the side of war

who were so proud to see death crowned
and marching in the shade
cast by the wings of his vulture wazirs.
Then, the light of hope eloped too
to escape holocaust.

That, I couldn’t snapshot
for it passed fleetingly.

— Blessing Ojo & Halima Ayuba (Laura M Kaminski), 2016

 

Keep staring in the direction of hope…try to capture every glimpse of light, no matter how small or fleeting.

Stay blessed, my friends.

Amin.

 

Sharing the Journey, 24-June-2018

FINALLY back to the blog after what feels like far too long away.

Lots of good reading recently…I’m grateful to have been immersed in submissions queues at Right Hand Pointing and Praxis Magazine Online lately. Here’s the latest offering from Right Hand Pointing: RHP 123: The Flower Syllabus.

…and here’s the latest chapbook at Praxis Magazine Online (edited by JK Anowe), and one of the finest gatherings of poems about the ongoing impact of conquest and colonization on identity today, Kanyinsola Olorunnisola’s IN MY COUNTRY, WE’RE ALL CROSSDRESSERS.  (I was truly honored to be able to write the foreword for this powerful collection.)

The Around This Fire series of response chapbooks at Praxis has resumed, and there are two special calls for response poems, which you can review here: http://www.praxismagonline.com/special-call-submissions-around-fire-7-responses-j-lewis/ and here: http://www.praxismagonline.com/special-call-submissions-around-fire-6/

There have also been several thought-provoking literary conversations going on that are available to be read online:

I haven’t been submitting my own work lately, because I’ve been focused on reading submissions rather than studying journals, reading reading reading before I submit. It made me smile to see the final bullet point in this announcement from poet, educator, and friend José Angel Araguz on his blog, The Friday Influence — I’m apparently not the only one who feels it necessary to study before submitting. 🙂  And while you’re visiting José’s blog, DO NOT MISS the link to this amazing poem he has in the current issue of Hunger Mountain, also available to read at their “online companion” site: “Conditioning (Run Study)”.

 

It’s good to be back…back on my feet, back at my desk, actively immersed in submissions queues. I’m grateful to be reading and writing and editing this year, at this time, with all these intriguing, insightful conversations taking place.

Stay blessed!